A Sweden Museum	Carl Larsson's Oil Paintings
		Carl Larsson Museum May 28, 1853–January 22, 1919. Swedish painter.
		About Us	110,680 paintings total

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Here are all the paintings of Arnold Bocklin 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
70280		Angelika von einem Drachen bewacht oder Angelica und Ruggiero	Medium Oil on wood Dimensions 46 X 67 cm
66171		Angelika, von einem Drachen bewacht oder Angelica und Ruggiero	1873 Oil on wood 46 x 67 cm
67777		Angelika, von einem Drachen bewacht oder Angelica und Ruggiero	1873 Oil on wood 46 X 67 cm
66172		Astolf reitet mit dem Haupte Orills davon	1873 Oil on canvas
40751		Centaur Fight	mk156 1873 Tempera on canvas 105x195cm
23257		Centaurs' Combat (nn03)	1873 Oil on canvas h105 x w195 cm h41 1/4 x w76 3/4in Kunstmuseum,Basel
94		Children Carving May Flutes	1877 Oskar Reinhart Foundation, Winterthur
88204		Das Spiel der Najaden	1886(1886) Medium Oil on canvas Dimensions 151 x 176 cm (59.4 x 69.3 in) cjr
11726		Diana's Hunt	1896 3' 3 1/4'' x 2' 7 1/2''(100 x 80 cm)
89417		Die Kapelle	oil on canvas, 95 x 70 cm Date 1898(1898) cyf
98		Elysian Fields	1877 Oskar Reinhart Foundation, Winterthur
38736		Faun Whistling to Blackbird	mk141 1863 Bayerische Staatsgemaldesammlung,Munich
84338		Im Spiel der Wellen	Oil on Canvas Date 1883(1883) cyf
40773		Island of the Dead	mk156 1880 Oil on wood 73.7x121.9cm
45809		Kentaur in the village smiths	mk178 1888 oils on wood 80x100cm
93837		Nessus und Deianeira	1898(1898) Medium oil on canvas cjr
96		Nymphs Bathing	1863-66 Oskar Reinhart Foundation, Winterthur
88207		Odysseus und Kalypso	1883(1883) Medium Oil on wood Dimensions 104 x 150 cm (40.9 x 59.1 in) cjr
95		Pan Amongst the Reeds	1856-57 Oskar Reinhart Foundation, Winterthur
95181		Plague	Plague, 1898, Arnold Böcklin. Tempera on wood cyf
40784		Playing in the Waves	mk156 1883 Oil on canvas 180x238cm
96451		Portrait of Anne Catherine Constance as St Catherine	1653(1653) Medium oil on canvas cyf
89872		Selbstportrat mit fiedelndem Tod.	1872(1872) Medium oil on canvas Dimensions 75 x 61 cm (29.5 x 24 in) cjr
56275		self portrait with death playing the fiddle	mk247 1872,oil on canvas,30x24 in,75x61 cm,staatliche museen,alte nationalgalerie,berlin,germany
27047		Self-Portrait in his Studio	mk52 1893 Oil on canvas 120.5x80.5cm Kunstmuseum,Basle
27037		Self-Portrait with Death Playing the Violin	mk52 1872 Oil on canvas 75x61cm Neue Nationalgalerie,Berlin
71090		silence fe la foret	mk289 1896 collection particuliere
66173		Sirenen	1875
72550		Sirenen	1875 cjr
74311		Sirenen	Date 1875 Medium Unknown Dimensions ? cm cyf
71780		Spiel der Wellen	Spiel der Wellen, 1883. canvas, 180 x 236 cm. Neue Pinakothek, Munich.
31193		Tamara and the Demon	mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on brown paper pasted on cardboard 66.5x50cm Tretyakov Gallery,Moscow
31194		Tamara's Dance	mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on paper 503x4cm Tretyakov Gallery,Moscow
95078		The island of life	Oil on wood Dimensions 94 x 140 cm cyf
93		The Isle of the Dead	1880 111 x 155 cm Kunstmuseum, Basel
31189		The Isle of the Dead	mk72 1880
56319		the lsland of the dead	mk247 1886,oil on wood,31.5x59 in,80x150 cm,museum der bildenden kunste,leipzig,germany
91		The Sacred Wood	1882 Kunstmuseum, Basel
31191		The Seated Demon	mk72 1890 Oil on canvas 114x211cm Tretyakov Gallery,Moscow
31192		The Seated Demon	mk72 1890
34013		The Waves	mk87 1883 Oil on canvas 180.3x237.5cm Munich,Bayerische Staatsgemalde sammlungen,Neue Pinakothek
21554		The Waves (mk09)	1883 Oil on canvas,180.3 x 237.5 cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
97		Triton and Nereid	1877 Oskar Reinhart Foundation, Winterthur
22316		Venus Genitrix (mk19)	1895 Oil on canvas,115 x 170 cm Kunsthaus Zurich,Zurich
96520		Villa am Meer	1878(1878) Medium oil on canvas Dimensions 110 x 160 cm cyf
92		War	Staatliche Kunstsammlungen, Dresden
86621		Zerstortes Haus in Kehl	Date 1870(1870) Medium Oil on canvas Dimensions 20.5 x 35.5 cm (8.1 x 14 in) cjr

Arnold Bocklin

Swiss 1827-1901 Arnold Bocklin Locations Arnold Bocklin was born on Oct. 16, 1827, in Basel. He attended the Dusseldorf Academy (1845-1847). At this time he painted scenes of the Swiss Alps, using light effects and dramatic views subjectively to project emotional moods into the landscape. In 1848 this romantic introspection gave way to plein air (open-air) objectivity after he was influenced by Camille Corot, Eugene Delacroix, and the painters of the Barbizon school while on a trip to Paris. But after the February and June revolutions Bocklin returned to Basel with a lasting hatred and disgust for contemporary France, and he resumed painting gloomy mountain scenes. In 1850 Bocklin found his mecca in Rome, and immediately his paintings were flooded by the warm Italian sunlight. He populated the lush southern vegetation, the bright light of the Roman Campagna, and the ancient ruins with lonely shepherds, cavorting nymphs, and lusty centaurs. These mythological figures rather than the landscapes became Bocklins primary concern, and he used such themes as Pan Pursuing Syrinx (1857) to express the polarities of life: warm sunshine contrasts with cool, moist shade, and the brightness of womans spirituality contrasts with mans dark sensuality. When Bocklin returned to Basel with his Italian wife, he completed the painting which brought him fame when the king of Bavaria purchased it in 1858: Pan among the Reeds, a depiction of the Greek phallic god with whom the artist identified. He taught at the Academy of Art in Weimar from 1860 to 1862, when he returned to Rome. Called to Basel in 1866, he painted the frescoes and modeled the grotesque masks for the facade of the Basel Museum. Bocklin resided in Florence from 1874 until 1885, and this was his most active period. He continued to explore the male-female antithesis and painted religious scenes, allegories of Natures powers, and moody studies of mans fate. He ceased working with oils and began experimenting with tempera and other media to obtain a pictorial surface free of brushstrokes. Bocklin spent the next 7 years mostly in Switzerland, with occasional trips to Italy; he devoted much of his energy to designing an airplane. Following a stroke in 1892, he returned to Italy, bought a villa in Fiesole, and died there on Jan. 16, 1901. Many of his late works depict nightmares of war, plague, and death.

All the Carl Larsson's Oil Paintings

Supported by oil paintings and picture frames